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furry -rating:g

Artist

  • ? anversailles 56

Copyrights

  • ? hololive 259k
  • ? ↳ hololive english 85k

Characters

  • ? nerissa ravencroft 4.9k
  • ? ↳ nerissa ravencroft (1st costume) 1.6k

General

  • ? 1girl 6.8M
  • ? asymmetrical horns 5.7k
  • ? black boots 139k
  • ? black dress 281k
  • ? black gloves 518k
  • ? black hair 1.7M
  • ? black thighhighs 419k
  • ? blue hair 977k
  • ? boots 568k
  • ? colored inner hair 104k
  • ? demon horns 102k
  • ? dress 1.5M
  • ? feathered wings 76k
  • ? feathers 86k
  • ? fur-trimmed jacket 30k
  • ? fur trim 184k
  • ? gloves 1.5M
  • ? high heels 229k
  • ? holding 1.6M
  • ? holding weapon 313k
  • ? horns 535k
  • ? jacket 1.1M
  • ? long hair 5.0M
  • ? looking at viewer 3.8M
  • ? low wings 31k
  • ? mole 300k
  • ? mole under eye 187k
  • ? multicolored hair 842k
  • ? red eyes 1.4M
  • ? shirt 2.2M
  • ? solo 5.7M
  • ? thigh strap 186k
  • ? thighhighs 1.3M
  • ? virtual youtuber 483k
  • ? weapon 667k
  • ? white shirt 1.0M
  • ? wings 493k

Meta

  • ? commentary 1.7M
  • ? english commentary 598k
  • ? highres 6.2M
  • ? ↳ absurdres 2.2M

Information

  • ID: 8498446
  • Uploader: unnameduser »
  • Date: 8 months ago
  • Size: 20.8 MB .png (3072x3840) »
  • Source: pixiv.net/artworks/114665444 »
  • Rating: General
  • Score: 42
  • Favorites: 40
  • Status: Active

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post #8498446
Resized to 27% of original (view original)
nerissa ravencroft (hololive and 1 more) drawn by anversailles

Artist's commentary

  • Original
  • Corvus Angelorum

    I’ve been working on this piece for the past week and a half. Drawing things over
    and over again after taking breaks to refresh my eyes. So many times I’ve had to
    revise because things just needed to change, like the arm pose, and
    I only end up seeing such mistakes after taking a break.

    This one is especially important to me because it’ll be my first real Nerissa fanart, so I
    wanted it to be something that contained my heart and soul.

    I threw everything—all the knowledge and experience I’ve accumulated these past
    two years of taking art seriously—at this. Gradient maps, textures, line weight, 3D,
    finer lines, studying make-up, effects, and even folding cloth a certain way just to
    get the reference photos for the dress right.

    I took like half a hundred photos just to make references and eventually ended up with
    a method for shading cloth that allowed me to surpass my old practice thanks to tips
    from Marco Bucci and David Finch (both fantastic artists on YT, by the way)
    and my previous study of JC Leyendecker’s work.

    I’ve always struggled with clothing folds, but now it feels like something just clicked
    and started working. I feel like this new understanding helped me go beyond the
    reference photos and push for something that’s better than what exists in reality,
    which is something I’m really proud of and something I hope I can implement in
    my future work.

    I know a lot of people don’t really look very long at illustrations regardless of the
    amount of detail put in, so a lot of artists tend to go for simplicity, and it’s probably
    to my detriment in terms of social media exposure to work so much on a single
    illustration, but it gives me the greatest joy to present something that I know holds
    up well even under close inspection.

    I want my work to have all I can give it, to live on as proof of my existence,
    to serve as a reminder that I persist through the tough processes, to go through stages
    of ugliness, and to produce something beautiful enough to hopefully move others.

    This one's for you, Nerissa. You Smiths-loving, choral singing, Hololive-addicted dork.

    Thank you for existing.

    You are the light that never goes out.

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